John Millington Synge, an Irish Literary Renaissance playwright, has always used nature as background, character and symbol in his plays. Nature is the protagonist or antagonist in many of his plays specially in Riders To The Sea where nature fills the minds of the characters and mounds their actions, even their moods and fate. The play is dominated by fate in the shape of sea. In the play we find that the sea is that which provides a living for the characters of the small cottages. At the same time it is also that which causes their sufferings.
The sea is indeed the most impressive character in the play. It's unseen presence fills the mind of both the characters and the audience. As a background, as a living character, as a force of nature, as an agent of destiny, as a villain, the sea plays a great role throughout the play. At present world, man has been trying to dominate the sea. He is successful in colonizing the sea to a specific extent. But there was once a time when the sea controlled man's life. The sea was then a more powerful enemy than it is now.
The sea is also invested with supernatural
suggestions. It is the archetypal symbol of fate. The riders are men who
are engulfed by the dark, mysterious and inscrutable fate. The sea and humanity
are mysteriously interlocked. It has taken a heavy toll of eight lives of the
poor family of Maurya. When her last son is drowned, she is relieved at the
thought that -
''There isn't anything more the sea can
do to me.''
This is the heart rending sorrow of the bereaved mother.
Some critics consider the sea as
the villain of Maurya's life causing the tragedy of her life.
But it would be wrong to consider the sea as the villain because being a
powerful element of nature, it is governed by its own moods like anything else
in nature. Besides, the sea provides livelihood to people as it does to Maurya's
family too. We can say that Maurya was fated to suffer at the hands of sea.
In Riders To The Sea, Maurya's
family members fall victim to the fury of the sea. But it was their
fate to be caught up in a tempest on the all on a sudden and be killed. The old
mother Maurya who has had the mortifying experience of seeing all male members
of her family getting drowned into the sea, tries her best to dissuade her only
surviving son Bartley from crossing over the sea. Maurya gets the signal of
Bartley's death. She says-
''I've seen the fearfullest thing any person has since
the day Bride Dara seen the dead man with the child in his arms.''
Bartley has to set sail over the sea to earn their bread.
Mother's words are futile to prevent Bartley from going to sea. Cathleen, the
practical-minded girl knows and she says-
''It is the life of a young man to be
going on the
sea.''
Barley's life could be saved if he had listened to his
mother's advice and if he had not gone to the Galway fair. He decides to go to
the fair to sell the horses because he thinks that it is his duty
to look after the family as there is no other male member alive in the family.
So it is the necessity of the family for which Bartley feels
compelled to go to the sea. So it is not the fault of the sea for which Bartley
died.
Thus the sea is the powerful force which
causes endless tragedy. Synge brings the sea in place of fate and at the same
time he juxtaposes the sea with fate. The sea becomes the Nemesis, against whom
the doomed mankind must fight. And through the fight man attains dignity. The
sea is the agent of destiny, through which Maurya learns the wisdom and the
truth. The tidings of the sea turn the tidings of the life of Maurya and her
two daughters. She suffers, she experiences and she learns from the sea. The
ruthless and cruel hand of Maurya's fate forcibly led Bartley to his death to
complete her tragedy. Thus it is the inevitability of fate which in the shape
of sea dominates the action of the play.

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